To be published by Belfort & Bastion (New Mexico) in late Fall 2017. Will be available on Amazon
PREFACE by Andrew Yiannakis, Ph.D., Research Professor, University of New Mexico, 8th dan Jujutsu, 6th dan Judo. Chair, Traditional Jujutsu Committee (USJJF) and Director, HESS Institute of Traditional Martial Arts, Univ. of New Mexico
Chapter I: The Evolution of Traditional Jujutsu by Andrew & Linda Yiannakis
Chapter II: Portals to Differing Martial Arts Worlds: On The Various Spellings of Jujutsu/Jujitsu/Jiu Jitsu by Andrew Yiannakis
Chapter III: Jujutsu and the Origins of Judo by Steven Cunningham, Ph.D., 7th Dan Takagi Ryu Jujutsu (permission requested)
Chapter IV: The True Meaning of Ju in Judo and Jujutsu by Andrew Yiannakis
Chapter V: The Densho: How Classical and Traditional Martial Arts Transmit Their Systems, Philosophy, Principles, and Ways and Practices by Andrew Yiannakis
Chapter VI: Establishing Mind-Body Harmony: Meditation and the Principles of Warm-Up by Andrew Yiannakis
Chapter VII: Some Useful Meditation Techniques For Martial Artists by Andrew Yiannakis
Chapter VIII: Jujutsu, Brain Stimulation, Bilateral Training and the Development of Superior Quality of Movement by Andrew Yiannakis
Chapter IX: From Kuzushi To Rikiten: The Biomechanical and Psychological Dimensions of Unbalancing an Assailant by Andrew Yiannakis
Chapter X: Developing Power in Traditional Jujutsu and the Development of Ki by Andrew Yiannakis
Chapter XI: Principles of Fighting in Distance (Kyori No Waza), Close Quarter (Chikai No Waza), and on the Ground (Newaza) by Andrew Yiannakis
Chapter XII: Principles of Transitioning in Chaotic Fighting Environments by Andrew Yiannakis
Chapter XIII: Becoming an Uchideshi, or How to Train Seriously in Japan by Patrick Auge, Shihan, 8th Dan, Yoseikan Aikido (permission requested)
Chapter XIV: Traditional Jujutsu in The Post Modern Era (from 1970 to the present) by Andrew Yiannakis
Ensuring the survival and growth of traditional systems, and strategies for marketing and promotion in today’s world
You are all invited
Date: May 4th, 3.30-5.10pm
Location: Johnson Center, UNM campus, Albuquerque, NM
PROGRAM
2. Promotional ceremony to recognize students who have attained a higher rank (4.10-4.25pm)
a. Charles Watkins, Sensei, 3rd dan, Weapons
b. Dianne Peterson, Sensei, 6th dan, Karate
c. Robert Malakhov, sensei, 3rd dan, Wa Shin Ryu
d. Martin Overfield, sensei, 3rd dan, ” ” ” “
e. Andrew Yiannakis, Sensei, 8th dan, Kansetsu Waza
f. Mark Fraser, Sensei, 4th dan Judo
Honored Guests
Linda Yiannakis, sensei, 5th dan Judo, 5th dan Jujutsu
Dr. Andy Mooneyhan, Director of PENP Program
Dr. Todd Seidler, Outgoing Chair of HESS (invited)
Dr. Christina Perry, Incoming Chair of HESS (invited)
Sincerely,
Andrew Yiannakis, Ph.D.
Director, Institute of Traditional Martial Arts at UNM
8th dan Jujutsu
6th dan Judo
PS: Jujutsu at UNM is thriving thanks to the support of Drs Seidler and Mooneyhan. This semester we had 80 students sign up. This is a record!
Copyright (c) 2016 by Andrew Yiannakis
Brief Summary
It is posited in this paper that a specialized form of jujutsu training (known
as the JBSR1 Method) helps enhance psychomotor efficiency by stimulating
and retraining the brain, and by contributing to a superior quality of
movement (among other outcomes).
This approach to training the brain:
(i) Stimulates the growth and enhancement of more Neural Pathways
connecting the various Neural Centers in the brain, and:
(ii) Stimulates and revives Neural Centers (for our purposes
you may view these as processors) which are responsible for
controlling/influencing cognition, motor activity and decision making.
Together, Neural Pathways and Neural Centers make up the brain’s Neural
Network System. Efficient and more vibrant Neural Network Systems
help improve the ability to perceive and process information quickly and
efficiently, enhance various cognitive abilities and improve the quality and
efficiency of psychomotor activity, a key factor in the martial arts.
The sum total of the effects that are achieved with such a specialized form of
jujutsu training may be summarized thus:
Students experience enhanced cognitive and psychomotor abilities that
are characterized by an increased quality of movement; experience an
increased ability to quickly perceive activity in combat situations and
respond effectively with superior timing, fluency, control and reaction
time.
The JBSR Method employs training regimens that challenge students to
develop superior forms of movement quality. That is, Coordination,
Timing, Reaction Time Fluency and Control, among others. This is
accomplished by stimulating the brain and the body to work together more
efficiently in terms of psychomotor coordination, timing and response. This
training process targets, stimulates, and challenges three key processors (or
“chips”), in the brain.
These are:
1. The Cognition Processor (thinking and perceiving processor)
2. The Motor Processor (control of physical movements), and,
3. The Command Processor (executive processor responsible for
decision-making and action).
The JBSR Method contributes to neurogenesis, the stimulation and growth
of neural pathways in the brain, including the three processors referred to
above. While many activities (e.g., dance, chess, tennis, etc.) contribute to
brain neurogenesis, the demands and challenges of the JBSR Method help
enhance psychomotor efficiency by stimulating growth in all three key
“processors” and their connecting neural pathways. That is, the
Cognition Processor, the Motor Processor and the Command Processor.
Key Principles of the JBSR Method of Training
The JBSR method of training challenges participants to think and
simultaneously problem solve by engaging, on the fly, all three processors
referred to above. Other activities such as chess, for example, challenge and help develop the Cognition and Command Processors, only. Further, Working out on a stationary bike engages the Motor Processor (and the body), and very little of anything else.
The point is that the “best” activities that contribute to the growth and
development of all three processors involve the simultaneous engagement of
all three WITH the body.
While many activities stimulate simultaneous growth in all three processors,
their benefits tend to be random, or haphazard, unless the instructor or coach
employs theoretically-driven training regimens. Some examples of activities
that have the potential to stimulate growth in all three processors include:
1. Tennis
2. Basketball
3. Soccer
4. Rugby
5. Most martial arts
6. Martial Sports (e.g., wrestling, judo, BJJ)
7. Table Tennis, etc.
What these have in common is the simultaneous engagement of the body
with all three processors in the brain. That is, they demand that a
participant move and think (problem solve) at the same time, on the fly. The
more a participant is challenged to engage all three processors and the body,
the greater the benefits.
A major strength of the JBSR Method of training in Wa Shin Ryu Jujutsu
(unlike most other physical activities) is the fact that we employ
theoretically-guided training regimens, in a systematic and deliberate
way, in order to challenge and develop the brain and the body to work
together simultaneously.
This method of training employs activities and training regimens that
include:
1. Tasks that stimulate psychomotor integration in which both the brain and
the body are challenged to work together in solving complex psychomotor
tasks (problem solving on the fly).
2. Innovation and discovery on the move (we ask students to begin with a
particular technique and then transition, on the move, to several other
techniques of their choosing). In this process, we encourage them to
innovate, experiment and discover. This process of training challenges both
the brain and the body to function in complex ways, on the move.
3. Tasks that demand fluency, continuity and smooth transitioning from
one technique to another (e.g., standing finger and wrist locking sequences)
that continue across different contexts of fighting (e.g., Distance, Close
Quarter and Ground).
4. Tasks that require, and help bring together, superior forms of
coordination, timing and control (e.g., moving from Shiho Nage or Irimi
Nage to a ground sequence of techniques). These change the context of
training and encourage students to think in non-linear ways.
5. Bi-Lateral Forms of Training: Tasks that challenge and integrate both
hemispheres of the brain (these involve training regimens that require
the use of both sides of the body in various complex ways. These
open up more neural pathways and stimulate the formation of new
and more vibrant Neural Systems. Bi-lateral forms of training include:
(i) Bilateral-Symmetrical involves the use of both sides of body in a
coordinated fashion. This method involves the use of both arms or legs
doing the same pattern while moving in the same direction. A double frontal
strike with both fists is an example of bi-lateral symmetrical training.
(ii) Cross-Lateral: Bi-lateral alternating movement patterns where the
limbs on each side of the body perform a coordinated movement
together, as in walking, in which the left arm and the right leg move at the
same time (and of course the same action is repeated on the other side).
One example of this type of exercise involves getting down on all fours and
simultaneously extending the right arm forward and the left leg back. An
example of this in jujutsu involves alternating left and right hand punches.
(iii) Contra-Lateral: This type of movement involves crossing the midline
of the body with the arms or legs, as in touching your right knee with your
left elbow or your left knee with your right elbow (or hand). “Tiger Walks
the Elephant”, an exercise we practice in Wa Shin Ryu Jujutsu, is
particularly effective in improving contra-lateral movement.
Contra- lateral movements are extremely important because they challenge
both hemispheres of the brain (more so than bilateral symmetrical and cross-lateral)
to work together in a coordinated fashion.
(iv) Bi-Lateral Independent: Movement involves, for example, patting
your head with one hand and rubbing your stomach with the other. In
jujutsu a parry with one arm and a punch with the other is an example of bilateral
independent form of training.
(v) Pattern Deviation: Establishing a pattern and then unexpectedly
changing it (a type of improvisation on the fly). For example one attack
combination that I teach involves faking a punch to the face and then
following up with a kick to the groin. Improvisation is when we deviate
from the established learned pattern and switch from a kick to the groin (the
already learned pattern) to, for example, a strike to the stomach with the
other fist, on the fly. This happens when the jujutsuka is presented with a
better opportunity and is able to quickly deviate from the established
learned pattern of striking high and then kicking low.
6. Tasks that help develop fast reactions to complex attack situations,
on the move. (e.g., Tori attacks Uke on both the left and the
right side with Jodan, Chudan and Gedan techniques). In the martial
arts, to be able to respond quickly is essential, especially in life
threatening situations. For this to occur all three processors must be
able to work together, very quickly, in a harmonious and integrated
fashion.
7. Tasks that require the application of multiple principles in different
Contexts of Fighting (e.g., sequences of techniques that link
Distance, Close Quarter and Ground forms of fighting.
8. Challenging tasks that are intrinsically motivating (such activities tend
to grab a student’s attention to the full and their successful resolution
is intrinsically satisfying). This helps students avoid boredom and
encourages them to persevere.
9. Rich training environments are more motivating, challenging and
productive in terms of stimulating and reprogramming the brain
(and in achieving superior neurogenesis), than poor ones. Such
environments incorporate many, if not most of the principles
alluded to in items 1-8, above.
In summary, what the reader should take away from this paper is, that
for maximum benefit, the training regimen one employs must be deliberate,
systematic, focused, challenging and theoretically grounded (knowledge
based). Most sports and other martial arts that challenge all three processors
(e.g., judo, tennis, basketball, etc.) do so in a mostly unsystematic fashion,
unless the instructor understands the theory behind the process of brain
stimulation and builds it into his/her students’ training. In Wa Shin Ryu we
have a system that guides how we train, that is based on sound theoretical
principles. This is called the JBSR Method.
Some Benefits/Impacts of the JBSR Method
When a training program is structured based on the principles of the JBSR
Method, the results that we can achieve are not random or haphazard, but
planned for. We know what our training regimens are doing, and how they
affect the brain and the body. Thus, training using the JBSR Method
contributes to:
1. The development of superior levels of coordination, timing, fluency
and control, result in a superior quality of movement, an
essential component in the martial arts.
2. The JBSR Method helps enhance levels of decision-making and
response times, especially under pressure.
3. The JBSR Method contributes to neurogenesis, the stimulation and
building of neural pathways in the brain among the Command
Processor, the Cognition Processor and the Motor Processor. And, this
form of training enhances how the brain communicates with the
body.
4. JBSR training is a more effective method of arresting, or slowing down
the aging process by enhancing key brain functions and neural
connections within the body. It is well known that aging is primarily a
function of cell regeneration (external factors also contribute to aging
such as drugs, poor diet, smoking and stress, among others). And, as
we get older the process of cell renewal begins to slow down,
resulting in what we call aging (genetic factors not withstanding).
However, it is suggested that the process of cell degeneration may
be arrested, or slowed down, by stimulating and enhancing the
brain’s Neural Network System (those centers in the brain, and
neural connections and delivery systems), so that it continues to
function more efficiently well into our advanced years. That is, by
having a healthier and more efficient brain it may be possible to
enhance the cell renewal process and keep us looking, and feeling
younger, considerably longer than what is considered “normal”.
5. By enriching neural pathways in the brain, and enhancing synaptic
activity, the process mitigates against memory loss as one gets older.
6. An enriched and efficiently functioning brain keeps one sharp and helps
enhance the learning process, both cognitively and physically, an
essential factor for the martial arts.
7. The bilateral forms of training incorporated in the JBSR System stimulate
neurogenesis and connectivity between both hemispheres of the
brain, and help the individual to use more of his/her brain
capacity. This process helps make the brain a more efficient and
powerful tool which may be used in more areas of life, not just in the
martial arts.
8. A more efficient psychomotor system, coupled with jujutsu combat skills,
contributes to superior forms of empowerment and confidence.
9. By arresting, or significantly slowing down the aging process, the
JBSR Method enables jujutsuka to continue to remain active in their preferred martial well into their later years, and enjoy more of the benefits of a healthy
lifestyle.
10. In addition to developing increased levels of coordination, timing,
reaction time, fluency and control, the JBSR Method contributes
to cardiovascular efficiency, strength and flexibility, all of which
are essential components of good health, and a major requirement in
the martial arts.
11. By stimulating the brain to function more efficiently, and at a higher
level, the JBSR Method also helps alleviate moderate and mild forms
of depression and anxiety, helps lower blood pressure and contributes
to more efficient blood circulation.
12. A superior quality of movement is a function of efficient and powerful
brain activity; one in which the body, and the three processors
alluded to earlier, are challenged to work together simultaneously in
order to solve complex decision-making problems and overcome
obstacles. In the martial arts, as is the case with most strategy-demanding
sports (e.g., tennis, basketball, soccer, etc.), solving
problems on the fly (e.g., faking a move to the left and then moving to
the right to get past an opponent) require that the brain and the body
work together quickly and efficiently; that is, the martial artist must think
fast on the fly. And it is this method of stimulating the brain and the
body to work together that contributes to neurogenesis and mind-body
harmony. And mind-body harmony is an essential precondition for
developing superior quality of movement in the martial arts.
Finally, it should be noted that physical activities that fail to promote
problem-solving on the fly (for example, training on a stationary bike, and
other activities of a mostly mindless, repetitive nature), fail to stimulate
brain activity, and neurogenesis, and do not contribute to a superior quality
of movement. That is, their benefits are purely of a cardio-vascular nature.
Conversely, activities that only challenge the brain (e.g., chess), while they
contribute to neurogenesis and superior cognitive activity, fail to engage the
motor processor and the body, and thus do not contribute to mind-body
integration and superior quality of movement. Thus, to achieve superior quality of movement and the total range of benefits I’ve discussed in this paper, our training must engage both the brain and the body simultaneously, in problem-solving training
environments (e.g., sparring with a partner or engaging in bi-lateral
forms of training, among others).
Some Applications for Martial Arts Instructors
The JBSR Method helps explain why we train the way we do. It helps us
better understand that desirable specific outcomes in the dojo must be
planned for in ways that tie together methods of training with desired
outcomes. If the principles outlined in this paper are ignored when
developing lesson plans, then the outcomes of training may well be random
and haphazard. Using such a haphazard approach makes it difficult for an
instructor to accurately determine and evaluate the impacts of what is taught
in class.
By employing the principles of the JBSR Method, and using them to help
instructors develop their lesson plans, we are better able to determine (and
predict) how our training regimens impact our students. This approach also
helps us establish clearer connections between what we teach, and the areas
our students respond to the most. That is, we develop deeper understandings
between the principles we employ in our teaching and their impacts on our
students.
Acknowledgment
I wish to acknowledge the contributions of Linda Yiannakis, MS, CCC-SLP, on the topic of bilateral forms of training.
CAUTIONARY NOTE
Excessive emphasis on skills and techniques that stimulate the brain to function at peak levels for prolonged periods can “super-energize”, and hype up students. Such high levels of excitation may last for several hours after a workout is over and may interfere with sleep, and other functions. Instructors should, therefore, employ cooling off exercises at the end of class in order to bring students back down to a more normal functioning level.
v3.6, March 18, 2017
Andrew Yiannakis, Ph.D.
University of New Mexico
8th Dan Jujutsu
6th Dan Judo
A Brief Word About Principles
The term “Principles” refers to the characteristic attributes, laws or assumptions underlying the workings of a system (from principium-beginning, and princeps – initiator). The term may also be used to suggest “source” (something that initiates), or “essence” of a system. Thus, the term principles refers to those essential components which define how a system and its skills/techniques are supposed to work in an integrated and internally consistent manner. They are the “underlying rules” that determine/influence effective technique application, strategies and tactics.
About Transitioning
Transitioning from one fighting context to another is a complex process that requires a superior understanding of key combat principles.
Since in Wa Shin Ryu Jujutsu we train in three Contexts of Fighting (Distance, Close Quarter and Ground), our study begins with an understanding of the principles that govern these three contexts. These principles, however, differ in several ways from the principles that apply in the spaces between Contexts of Fighting, where things often become chaotic. Thus we recognize that we have principles that guide us as we move TOWARD another Context of Fighting (e.g., from Distance to Close Quarter); we have principles that govern our behavior within Contexts of Fighting (e.g., moving from kesa gatame to juji gatame in Ground Fighting); and we have principles that govern transitioning in chaotic fighting environments.
What happens in the space between contexts (e.g., From Distance to Close Quarter) and BEFORE reaching the second context (Close Quarter Context, for example) is the space where the Principles of Transitioning in Chaotic Environments apply. This is the space where things often go wrong and Tori is required to improvise and adapt on the fly.
More specifically, the Principles of Transitioning In Chaotic Environments occupy, and speak to the “space” between the above-mentioned Contexts of Fighting. It is the “space” where things happen extremely fast, often in unpredictable, ambiguous or chaotic ways, and the correct and effective application of transitioning principles in this “space” can determine the outcome of a combative situation.
In summary, we have principles that (i) govern how we move from one Context of Fighting to another; (ii) we have principles that influence how we move within a particular context of fighting (e.g., in Close Quarter Fighting); and (iii) we have principles that help us fight effectively when things go awry.
One key transitioning principle focuses on training jujutsuka to IMPROVISE AND ADAPT ON THE FLY, often by using multiple tactics and techniques, as, for example, in Attack Combinations (or Defensive Responses). In Attack Combinations, taking this process to LEVEL THREE is a first step in our training. However, a key element of this type of training is the ability to adjust one’s tactics and techniques on the fly when the intended Attack Combinations FAIL and things often become chaotic. When this happens it is necessary to improvise and adapt quickly and effectively. The Principles of Transitioning In Chaotic Situations speak to these “chaotic spaces”.
These spaces of unpredictability, if we can call them that, when things basically go awry, are among the most difficult aspects of a combat situation to control. That is why it is absolutely necessary to train students to respond to the ambiguities of such chaotic situations by thinking fast on their feet, and by improvising and adapting quickly. Students who can’t handle such chaotic levels of ambiguity often panic, with potentially ruinous results. Thus, the need to train our students to employ the principles that apply to these chaotic contexts.
The ability to improvise and adapt quickly is an ability that can be developed, for example, using bi-lateral forms of training. One good example is called Pattern Deviation, a concept discussed in greater detail in the author’s paper on brain stimulation (v4.4), under Bi-Lateral Forms of Training, a sampling of which is included below:
” Pattern Deviation: Establishing a pattern and then unexpectedly changing it (a type of improvisation on the fly). For example one attack combination that I teach involves faking a punch to the face and then following up with a kick to the groin. Improvisation occurs when we deviate from the established learned pattern and switch from a kick to the groin (the already learned pattern) to, for example, a strike to the stomach with the other fist, on the fly. This happens when the jujutsuka is presented with a better opportunity (or the established pattern is blocked or countered by Uke) and is able to quickly deviate from the established learned pattern of striking high and then kicking low”.
Improvisation is one of several key principles that apply in these chaotic spaces where specific transitioning principles must be applied.
How do transitioning principles differ from the Principles of Distance Fighting, Close Quarter Fighting and Ground Fighting? In practical terms think of these “in between spaces” as follows:
Tori begins an attack combination four or five feet away from Uke (Distance Context) but fails to move in to Close Quarter Fighting because Uke blocks, or thwarts Tori’s attack. Uke may also counter at this point. A period of chaos or ambiguity ensues with Tori attempting to deal with Uke’s counter by improvising and adapting. That is, Tori engages in improvising tactics to get past Uke’s defenses and move in for close quarter fighting. This is the stage which reflects the space in between Distance and Close Quarter Fighting that requires the application of the Principles of Transitioning in Chaotic Environments. This space is often characterized by chaos, ambiguity and a diminished sense of control of the situation. Recovering quickly and effectively from this chaotic state, and re-establishing control, requires systematic training in how to apply the Principles of Transitioning. Another way of addressing these principles is to think of them as Principles of Survival and Recovery When Things Go Wrong.
Fighting in such spaces requires extensive training, and the ability to think fast on your feet, and to improvise quickly; it also requires the development of a mindset and training regimens that help develop the attributes below:
Some Methods of Training Students to Fight in Chaotic Environments include:
special emphasis on improvisation and adaptability
to get past opponent’s defensive moves and tactics.
physical and/or psychological. Exploit both!
Summary and Questions
What is the “space” between Contexts of Fighting” and how is it characterized?
This is the space that one finds oneself in when things go awry, while moving from one Context of Fighting to another. It is characterized by chaos, uncertainty, ambiguity and, often, a momentary loss of control of the situation. Using the castle analogy (refer to presentation of March 11, 2017), when things go awry, instead of being able to scale the castle walls and take it you get bogged down in the moat surrounding the castle.
These spaces arise when Uke blocks and/or counters Tori’s attack, temporarily creating an uncontrolled, chaotic situation. Resolving this state of uncertainty requires the application of the Principles of Transitioning in Chaotic Environments. These principles are designed to train Tori to successfully move out of this state of chaos and establish control over Uke, in the intended Context of Fighting. The intended Context of Fighting may be a close quarter or ground fighting situation.
Is there a relationship between the Principles of Distance, Close Quarter and Ground Fighting and the Principles of Transitioning in Chaotic Environments?
The Principles of D, CQ and GR fighting assist/enable Tori to move from one Context of Fighting to another. That is, from Distance, to Close Quarter, to the Ground. The Principles of Transitioning in Chaotic Environments assist Tori to effectively manage chaotic and ambiguous situations when moving from one fighting context to another and things go wrong. Fighting in such conditions requires the application of special principles such as improvisation, AND the support of specific mindsets and/or attributes.
(i) Damashi – constant use of deception through combinations and the use of distracting tactics
(ii) Using centered action and maintaining a strong base (this is essential because it prevents Uke from off-balancing you)
(iii) Improvisation and psychological flexibility (yoshin)
(iv) Bouncing back after things go awry (Hanekaeri)
(v) Kime: Decisiveness, or the ability to think and act decisively without hesitation
(vi) Go No Sen
Counters: Tori blocks/deflects/evades or joins and counters after Uke initiates attack
(vii) Aiki: Taking Uke’s energy and re-directing it
(viii) Sen Sen No Sen
Taking the initiative and controlling Uke by luring him/her into following through with an attack – basically setting them up. The key component of Sen Sen No Sen, however, is the fact that Uke is manipulated and controlled by Tori into believing that a real opportunity for victory actually exists, when in reality it’s a set-up
(i) Employ training regimens that stress neurogenesis and enhance the ability of both hemispheres of the brain to work together efficiently
(ii) Engage in activities that focus on bi-lateral forms of psychomotor development
(iii) Stress activities and training regimens that require students to think fast on their feet
(iv) Employ activities and training regimens that require students to engage in problem solving using their brain and body simultaneously. Such activities include traditional jujutsu; basketball; tennis; soccer; table tennis, and the like
(v) Employ activities that demand and stress a high degree of coordination, timing and control
(vi) Stress activities that help develop the ability to improvise quickly on the fly
(For a more complete analysis read the author’s paper on “Jujutsu and Brain Stimulation…” v4.4, forthcoming)
V9.2, January 29th, 2017
Ryuso and Soke of Wa Shin Ryu Jujutsu
8th Dan Jujutsu (USJJF)
6th Dan Judo (USA-TKJ)
5th Dan Judo (USJJF)
5th Dan Jujutsu (USJJF)
Copyright © by Andrew Yiannakis, 2010
The term “Ju” in judo and jujutsu has several meanings and they reflect both the intent and the situation in which the term is applied. We may list several surface meanings for Ju such as gentleness, pliability, softness, adaptability, and so on, but to get at the true heart of how it applies to both jujutsu and judo we must understand the situation and intent in which it is applied. The intent in judo and jujutsu is NOT to execute technique gently or softly but with determination, true spirit, maximum efficiency and, of course, minimum effort. Thus, a good jujutsuka or judoka executes technique with fluidity, timing and control and, of course, total commitment. To the untrained eye this may look like gentleness. However, to uke it feels like hell! But there is more.
It is important to mention at the outset that Ju possesses both offensive and defensive dimensions. Ju does not only refer to “yielding”. If that were the case jujutsuka or judoka would only be able to apply their skills defensively. Ju as applied in judo and jujutsu also has an offensive component.
In offensive applications, for example, tori initiates the attack by kicking, striking or using combinations. Ju in such contexts speaks to the ability to demonstrate the necessary amount of physical flexibility (e.g., fighting relaxed but controlled) and, even more importantly, psychological and strategic flexibility. The second dimension of Ju, which speaks to judo or jujutsu’s defensive applications, is about “yielding and redirecting”.
A classic example in Japanese martial art history of the adoption of Ju as a guiding principle in jujutsu comes to us from the story of Akiyama Yoshitoki. Akiyama gained his insight into Ju when he noticed how the branches of a willow tree bent under the weight of snow, and were able to let the snow slide off and spring back without breaking. After grasping the implications of his observation he named his jujutsu style Yoshin Ryu (Willow Spirit School) (Skoss, 1997). Yoshin Ryu later became one of the root arts of judo through Tenjin Shin’Yo Ryu.
Other classical bujutsu schools utilized the saying, “When the enemy comes, welcome him; when he goes, send him on his way”, a reference to the idea of psychological flexibility (strategy) in the use of the concept of Ju (Draeger, 1997).
Ju has several layers of meaning and many Westerners are, unfortunately, only exposed to the surface features associated with the concept. Thus we practice our martial art thinking that Ju simply translates into “gentleness”, or “yielding” to an attack, as though this is the only combat response that we use in jujutsu or judo. Let’s not forget, as stated earlier, that we also initiate attacks. That is, Ju may be employed offensively as well.
This meaning (gentleness or yielding), however, is only one in a complex and multi-layered system of meanings. In some ways the layers of meaning associated with Ju are like the terms “ura” and “omote” in kata. Ura refers to inverting; the underside; the aspects of technique and strategy which are hidden from immediate view, while omote is the public or demonstration version. However, the omote version only serves to display surface features and principles but not the complete combat applications. The term Ju is analogous to this distinction but has even more layers of meaning associated with it. Many Westerners are rarely exposed to “ura”, or the hidden aspects of their art, or to the multiple layers of Ju in their judo or jujutsu. To delve into the deeper layers of one’s art one must study with a master over a long period of time.
A central feature of the defensive dimension of Ju involves more than just yielding. It also involves redirecting the force applied against you. This entails preventing the force of the opponent from reaching you, and while maintaining your own balance and control, turning his/her momentum, or energy back against him, to neutralize or defeat him. Success in this application of Ju requires the use of strong centered action with power generated from the hara, an understanding of rhythm and alignment (such as joining, for example) with your opponent’s action, and the ability to “see” and analyze quickly how your attacker moves.
A classic reference to Ju in martial arts is “Ju yoku go o sei suru” – loosely translated as “Softness controls hardness”. Jigoro Kano reportedly interpreted the meaning of this expression from the Tao Te Ching which states, “Reversing is the movement of the Tao”. He saw in this a “natural law” in which the act of yielding and redirecting can be made with control and superior power. Thus yielding does not imply weakness (Draeger, 1997). Yielding and redirecting is, of course, one of the key principles of aikido.
The idea of mind-body harmony and coordination is also implicit in Ju. Ju carries the expectation that through diligent training, the body becomes “soft” or responsive to the mind. Thus, the body is then able to do what the mind envisions. This is an important concept in several jujutsu systems, including Tenjin Shin’Yo Ryu. Students in their early years of martial arts training often experience confusion and frustration because they know what they are expected to do but cannot make their bodies cooperate. This type of unity of mind and body requires a harmonious relationship (psychomotor integration) that can only be achieved through proper training1 and diligent, long term practice.
As with many principles in Japanese martial arts, Ju finds expression in the personal-social arena as well. We may see uses of Ju in debate or discussion. For example, when an opponent seeks to attack or impose his/her view on another, one application of Ju involves the ability to deflect the attacker’s argument and turn it back against him. This is a form of joining and redirection. Ju is also applicable in verbally volatile situations where, leading the participants to common ground (alignment), may serve to defuse the situation. It may also be seen when a speaker employs psychological and strategic flexibility by taking the initiative and attacking the opponent in ways that confuse and put him/her on the defensive. This is most effectively accomplished when one can think fast on their feet; is able to see the larger picture and can counter the attacker’s arguments by changing the direction of the attack by employing counter arguments that the attacker wasn’t prepared for. It’s complicated, and that’s why the martial arts as well as social environments require systematic training and the guidance of a superior teacher.
Ju also has philosophical aspects which are beyond the scope of this paper to address at this time.
In summary, Ju as it applies to judo and jujutsu (as well as many other martial arts) has FOUR key dimensions, or driving principles:
(i) The first dimension speaks to the notion of Psychological Flexibility, or the ability to think fast on the fly; that is, the ability to perceive and read a situation quickly, without preconceived notions, and be able to switch mental plans of action without pre-planning or conscious effort. Being able to think fast on your feet, therefore, and switch quickly and effectively from one technique to another is a key component of psychological flexibility. However, having psychological flexibility does not necessarily mean that one can act on it. Of necessity, students must train diligently under conditions that compel them to both think flexibly (psychological flexibility) and act quickly (strategic application of techniques).
(ii) The second dimension of Ju speaks to Strategic Flexibility in both combative situations or contest. Strategic Flexibility speaks to the ability to switch fighting strategies and tactics on the fly. Examples of strategic initiatives that demand a high level of Strategic Flexibility include initiating an attack (Sen), evasion (Kaihi Jo), joining (Aiki Jo), countering (Kaeshi Jo), and luring an opponent to attack (Sen Sen No Sen), and the like.
(iii) The third dimension speaks to the way a technique is executed when effective kuzushi is applied, especially when an attacker is taken through to the teetering point (rikiten) before being thrown, or taken out. Let’s call this Technique Efficiency. When a technique is executed with good kuzushi, timing, fluency and control it does appear to the untrained eye that this is indeed the way of gentleness because the action appears to require minimal strength and certainly NO brute force. This is maximum efficiency with minimum effort (the efficient use of energy), as Jigoro Kano would have it. There is no question, therefore, that when an assailant, or opponent, is effectively off-balanced to the teetering point it takes little effort to throw them, or neutralize them with a strike or kick. This is technique efficiency that utilizes the principle of Ju.
(iv) The fourth dimension of Ju speaks to the notion of Physical Flexibility.
Dr. Sachio Ashida (sensei to the senior author) would always remind us that if we played judo stiffly and rigidly, relying on muscle and strength to defend or execute technique, it made us less efficient, it often served to telegraph our technique, and after a couple of minutes of action we’d be exhausted. He constantly advised us instead to learn to play relaxed, to move with good fluency and to avoid meeting force with force. “Meet force with gentleness”, he would say; “yield and redirect”; “attack and reverse when you feel their strength”; “turn their strength against them”. Thus, physical flexibility speaks to the ability to play relaxed, and to initiate, yield, or redirect as the situation demands.
Thu, when applied in combination, the above four principles serve to illustrate the highest levels of functioning in the martial arts and help demonstrate a true understanding of the meaning of Ju.
1 See paper by Prof. Andrew Yiannakis entitled “Jujutsu And Its Contributions To Brain Stimulation…….And Psychomotor Development” at: http://unm.wsrjj.org/brain.pdf
References:
Cunningham, S., Personal communication to Linda Yiannakis, 2006
Draeger, D., Modern Bujutsu & Budo, Weatherhill, Inc., New York, 1997
Skoss, M., Tenjin Shin’Yo-ryu Jujutsu. In Koryu Bujutsu, Diane Skoss, ed., Koryu Books, New Jersey, 1997
1 is pronounced Ichi (eechii as in cheese)
2 is pronounced Ni (as in see, or Nidan)
3 is pronounced as San ( saan as in Sandia or Sandan)
4 is pronounced as Shi (shee as in Shido)
5 is pronounced as Go (as in God, or Godan). This should not sound like the English verb to go!
6 is pronounced Roku (Rookuu as in Rokudan)
7 is pronounced Shichi (Sheechee, as in Shichidan)
8 is pronounced Hachi (as in Haachee, or Hachidan)
9 is pronounced Ku (as in cuckoo, or Kudan)
10 is pronounced Ju (as in cuckoo, or Jew, or Judan)
Pronouncing Japanese terms is actually quite easy so long as you understand how five key vowels are pronounced. These are:
Finally, please consult the video above to actually hear the terms being pronounced correctly.
To come in Blog #2: Commonly Mispronounced Japanese Martial Arts Terms
Andrew Yiannakis, Ph.D., 8th Dan Jujutsu/6th Dan Judo. Chair, Traditional Jujutsu Committee of the USJJF and Director, Institute of Traditional Martial Arts at UNM

BLOG #5: A FINAL word on what the different spellings of Jujutsu/Jujitsu/Jiu jitsu actually mean.
Andrew Yiannakis, Ph.D., Research Professor (UNM), 8th Dan Traditional Jujutsu; 6th Dan Traditional Kodokan Judo. He is Chair of the Traditional Jujutsu Committee of the USJJF and Director of the Institute of Traditional Martial Arts at the University of New Mexico (USA).
If you’ve been following my blog on this issue it should be clear that it’s not just about how you spell it. The different spellings are actual portals to different styles/systems, and the cultural practices and ways that characterize and differentiate them. The point is that Jujutsu systems are significantly different from Jujitsu, or Jiu Jitsu systems.
Genuine Japanese, or Japanese-based systems use Romaji and the correct spelling under Romaji is Jujutsu. Jutsu in Romaji means “art” or “craft”. Of note is the fact that Jigoro Kano himself (the founder of Judo) began using the Romaji version of Jujutsu as early as 1887, in a paper entitled “Jujutsu and the Origins of Judo” (with T. Lindsay). Finally, the Kodokan, among other major Japanese martial arts organizations, fully adopted Romaji spelling and we see it used in reference to Kodokan Goshin Jutsu, the Nage No Kata, the Katame No Kata, and in the spelling of all techniques employed in Judo and Jujutsu.
Western, or Westernized systems do not use Romaji and spell the art as Jujitsu or Ju-Jitsu. While some overlaps exist between these systems (Jujutsu and Jujitsu/Ju-jitsu, that is), Western or Westernized systems have for the most part moved away from Japanese Ways & Practices and their brand of Jujitsu/Ju-jitsu has a strong Western flavor. For example, their dojo practices tend to be more relaxed, the use of Japanese terminology is rarely employed, or misused, and dress (the uniform) often reflects Western practices or preferences. One item that often stands out is the fact that Westerners often cover their jackets with patches and work out by wearing t-shirts under their jacket. In traditional Jujutsu systems such “adornments” are frowned upon on the mat.
Jitsu in Romaji does not mean art; rather, it means “reality” or “truth”, a fact that escapes many who claim to be practicing Traditional Japanese Jujutsu, which they spell as Jujitsu.
Jiu-Jitsu is a spelling form that was sometimes used in the early part of the 20th century, before Romaji became the accepted form for Japanese, or Japanese-based systems. This spelling form was popularized in Brazil and today, Jiu-jitsu is most often associated with Brazilian fighting arts.
In summary:
For those among you who may be interested, two of the best sources of Romaji are Hepburn’s dictionary (1887) and Henshall’s book (1988). Romaji was officially adopted by the Japanese Government in the early 1950s and is taught in Japanese schools.
Addendum: A Word About the Origins of Romaji (Roman Letters)
The earliest Japanese romanization system was based on Portuguese spelling. It was developed around 1548 by a Japanese Catholic named Yajiro. Jesuit priests used the system in a series of printed Catholic books so that missionaries could preach and teach their converts without learning to read Japanese Kanji. Later, it was also adopted by Westerners to enable them to communicate and trade with the Japanese. Romaji underwent a number of iterations until its culmination in the Hepburn System, in 1887. As Romaji increased in popularity, especially as a way of communicating with Westerners who found Japanese difficult to learn, the system started to make its way into the Japanese Martial Arts and was adopted, in great numbers, by Jujutsuka, Karateka, Judoka and Aikidoka, among other Japanese martial artists.
Finally, it is important to note that the different spellings of Jujutsu, Jujitsu or Jiu Jitsu do not simply reflect surface level stylistic spelling variations. They are, in fact, portals or gateways to different cultural ways and practices, traditions and styles of Jujutsu/Ju-Jitsu/Jiu Jitsu.